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PROCOL HARUM
San Francisco 1977 [no label, 3CD]
Live at the Old Waldorf, San Francisco, CA; April 8, 1977 (early and late shows). Very good audience recordings.

Thanks to kneesfudd for sharing these tracks at Dime.

kneesfudd added: “It really doesn’t speak well of the Rock and Roll Hall of Fame that these guys haven’t been inducted yet. They’ve been in mine for 44 years and it’d be longer but they didn’t hit my radar until about 1970 other than the big hit. Pretty damn impressive repertoire of material.”

Early Show notes (by kneesfudd):
- Very fine audience in small club (with some overload in this show only).
- Warts: Some distortion in loud passages where taper must have had levels too hot (this show only). #8 cuts and #9 starts late at tapeflip. Could use a bit of treble push in my opinion. Surely missed some dropouts but tapes were in good shape.

Late Show notes:
Could use a bit of treble push in my opinion. Surely missed some dropouts but tapes were in good shape. Tapeflip between 7 and 8 (no music missing).

Click here for the complete notes.

Recording:
unknown stereo cassette recorder & microphone(s) > master narrow stereo audience cassette > 1st generation Maxell XLII-S 90 cassette, Dolby B on.

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Please Do Not Hammer The Links. Due to the size of some of the files, please be very patient when downloading the tracks. It could be that the server was very busy. The tracks should still be around. Please try again later. Kindly email us at mybigo@bigozine.com if you encounter persistent problems downloading the files.

Disc 1 (Early Show)
Track 101. intro & tuning up 1:18 (2.2MB)
Track 102. Something Magic 3:54 (6.5MB)
Track 103. Conquistador 5:19 (8.9MB)
Track 104. Nothing But The Truth 3:31 (5.9MB)
Track 105. Strangers In Space 7:55 (13.3MB)
Track 106. Grand Hotel 6:58 (11.7MB)
Track 107. The Mark Of The Claw 5:14 (8.8MB)
Track 108. Whaling Stories 3:52 (6.5MB)
Track 109. As Strong As Samson 3:13 (5.4MB)
Track 110. Pandora’s Box 5:50 (9.8MB)
Track 111. The Unquiet Zone 9:10 (15.4MB)
Track 112. A Salty Dog 6:58 (11.7MB)
Track 113. Wizard Man 3:52 (6.5MB)
Track 114. This Old Dog 5:46 (9.7MB)
73 mins

Disc 2 (Late Show)
Track 201. intro & tuning up 1:20 (2.2MB)
Track 202. Something Magic 3:49 (6.4MB)
Track 203. Conquistador 5:09 (8.6MB)
Track 204. Bringing Home The Bacon 4:22 (7.3MB)
Track 205. Strangers In Space 8:21 (14.0MB)
Track 206. Whaling Stories 8:28 (14.2MB)
Track 207. The Mark Of The Claw 5:14 (8.8MB)
Track 208. As Strong As Samson 5:17 (8.9MB)
42 mins

Disc 3 (Late Show contd)
Track 301. Simple Sister 3:05 (5.2MB)
Track 302. Pandora’s Box 6:36 (11.1MB)
Track 303. The Unquiet Zone 9:31 (16.0MB)
Track 304. A Salty Dog 4:53 (8.2MB)
Track 305. Wish Me Well 6:21 (10.7MB)
Track 306. Ooh Poo Pah Doo 4:39 (7.8MB)
Track 307. Wizard Man 3:30 (5.9MB)
Track 308. Well, I 6:54 (11.6MB)
46 mins

Lineup:
Gary Brooker - piano, vocals
Mick Grabham - electric guitar
Pete Solley - Farfisa organ, synthesizer, violin
Dee Murray - electric bass
BJ Wilson - drums

Click here to order Procol Harum releases.

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ART BLAKEY AND HIS ORGIES IN RHYTHM
With Tony Williams
Munich 1972 [no label, 1CD]
Jazz Now Festival, live at the Deutsches Museum, Kongress-Saal, Munich, West Germany; August 18, 1972. Very good soundboard.

Two drummers - the old and the new - Art Blakey and Tony Williams. Think bebop drummers and you think of Kenny Clarke, Max Roach and Art Blakey; and Blakey’s Jazz Messengers was a place where musicians cut their teeth and cement their reputation. After all, the Messengers included, at one time or another, Wayne Shorter, Lee Morgan and Freddie Hubbard. In the early to mid-’60s, Tony Williams was already regarded a key member of the avant-garde movement. By 1972, he was already championing fusion-rock through The Tony Williams Lifetime, with John McLaughlin. At the time of this show, Art Blakey could be considered “old school” as opposed to the more “experimental” Tony Williams. [Also bear in mind that Miles Davis’ In A Silent Way and Bitches Brew came out between 1969 and 1970 and what Miles was doing was definitely not going unnoticed.]

The music here rather recalls Miles’ On The Corner; with the Blakey-Williams interplay [more interesting if this was a “sparring” contest] more pronounced on the track, Virginia, but overall, no fireworks - it’s really easy on the ears and everyone is generously alloted their time and space in the spotlight. And Ray Bryant’s percussive Cubano Chant adds a bit of world music long before the term became fashionable. As historic meetings go, this should not be missed. Only wish there was more fire and brimstone.

Thanks to amallama for sharing the tracks at Dime.

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Track 01. Intro (Art Blakey) 2:33 (4.3MB)
Track 02. Swamp Carol (Steig-Hammer) 13:55 (23.4MB)
Track 03. Rita (George Cables) 10:02 (16.9MB)
Track 04. Virginia (George Cables) 13:25 (22.5MB)
Track 05. Cubano Chant (Ray Bryant) 23:20 (39.2MB)
Track 06. Unknown 9:42 (16.2MB)
73 mins

Lineup:
Art Blakey - drums, voice
Tony Williams - drums
Jeremy Steig - flute
George Cables - piano, electric piano
Stanley Clarke - bass
Ray Mantilla - timbales, congas, bongos
Buck Clarke - gong, bells, congas, african drums

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Click here to order Tony Williams releases.

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MARIA MULDAUR
New Haven 1972 [no label, 2CD]
Live at the Sprague Hall, Yale University, New Haven, CT; December 2, 1972 (not December 12 as originally circulated). Very good soundboard.

I think it’s been an amazing journey and its unfolded one passion at a time, and I just followed where my passion has led me and it hasn’t stirred me wrong yet, Even though I’ve had a few huge Pop hits, but basically my career can be described as a long and adventurous odyssey through various forms of American roots. I started out falling in love with Appalachian “Old Timey” music and country blues, bluegrass, jazz, and all sorts of music and, at various stages as the mood lent me, I began to explore different genres… and continuing to do that. It’s been fascinating; we have such an amazing, rich, musical heritage in this country and it’s something I never get tired of exploring. - Maria Muldaur, 2012

Here is Maria Muldaur, opening for Bonnie Raitt (perhaps explaining the bluesy feel of the show). Given that the setlist for both the Early and Late shows is identical, casual listeners and those curious might want to start with the Late Show as it includes pianist Lou Terriciano.

From folk to blues to the Grateful Dead… that’s the First Lady of American Roots Music for you.

Thanks to Stu for sharing the tracks back in 2005; and to ecocats and others who are still keeping the shows alive at Lossless Legs and Dime.

Lineage:
soundboard > ? > reel > cdr > eac >cdwav editor (track) > flac level 8 w/ sector boundary correction

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Disc 1 (Early Show)
Track 101. Chauffeur Blues 5:37 (9.4MB)
Track 102. Richland Woman Blues 4:24 (7.4MB)
Track 103. Earls’ Crab Shack 3:27 (5.8MB)
Track 104. Loverman Where Can You Be? 4:48 (8.1MB)
Track 105. My Blues 7:03 (11.8MB)
Track 106. When I Was A Cowboy 4:11 (7.0MB)
Track 107. I Never Did Sing You A Love Song 4:24 (7.4MB)
Track 108. The Day Is Past And Gone 2:26 (4.1MB)
Track 109. Nobody’s Fault But Mine 6:38 (11.1MB)
Track 110. I Ain’t Got No Honey Baby Now (Maria Muldaur - fiddle) 5:45 (9.7MB)
49 mins

Disc 2 (Late Show)
Track 201. Chauffeur Blues 5:47 (9.7MB)
Track 202. Richland Woman Blues 5:03 (8.5MB)
Track 203. Earls’ Crab Shack 4:29 (7.5MB)
Track 204. Loverman Where Can You Be? 4:12 (7.0MB)
Track 205. My Blues (with pianist Lou Terriciano) 8:16 (13.9MB)
Track 206. When I Was A Cowboy 4:37 (7.8MB)
Track 207. I Never Did Sing You A Love Song 4:14 (7.1MB)
Track 208. The Day Is Past And Gone 2:52 (4.8MB)
Track 209. Nobody’s Fault But Mine 5:08 (8.6MB)
Track 210. I Ain’t Got No Honey Baby Now (Maria Muldaur - fiddle) 6:25 (10.8MB)
51 mins

Lineup:
Maria Muldaur - vocals, fiddle
Freebo - bass
David Nichtern - guitar
Guest
Lou Terriciano - piano

Click here to order Maria Muldaur releases.

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THE NICE
Belgium 1969 [no label, 1CD]
Live at the Actuel Festival, Amougies, Belgium; October 26, 1969. Fair to good mono audience recording.

The Nice were an English progressive rock band from the 1960s, known for their blend of rock, jazz and classical music. Their debut album, The Thoughts of Emerlist Davjack was released in 1968 to immediate acclaim. The Nice are also a forerunner of the much more widely known Emerson, Lake & Palmer. - wikipedia

Thanks to taper JJB; the person who shared this on the net in 2006; and to hendrixsky and uninvited94 for keeping the show alive at Dime and The Traders’ Den.

Original notes:

This is a typical set for the period (a mixture of original compositions, folk covers and classical/rock fusions), but shows the trio at their most energetic. There are obvious issues with the sound quality - the tape recorder used was way below modern standards and the sound is nowhere near “professional” quality. This reservation aside, however, this is simply an unbelievable document of a legendary festival, and so our heartfelt thanks to the taper, JJB, for recording this at the time… I hope the setlist below is accurate; corrections welcome!

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Track 01. tuning up and announcement 0:50 (701k)
Track 02. Intermezzio from Karelia Suite 10:00 (8.4MB)
Track 03. organ improv 5:30 (4.6MB)
Track 04. Country Pie/Brandenburger Concerto #6 7:25 (6.2MB)
Track 05. piano improv 1:02 (874k)
Track 06. Hang On To A Dream 11:42 (9.8MB)
Track 07. Pathetique Symphony 4th 8:40 (7.3MB)
Track 08. She Belongs To Me 15:08 (12.7MB)
Track 09. Rondo 14:07 (11.9MB)
75 mins

Lineup:
Keith Emerson - organ, piano
Lee Jackson - bass, vocals
Brian Davison - drums

Click here to order The Nice releases.

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RICK DERRINGER
Chicago 1979 [no label, 1CD]
Live at the International Ampitheatre, Chicago, IL; December 28, 1979. Very good FM broadcast.

From the bubblegum hit, Hang On Sloopy, to performing with Edgar and Johnny Winter; Todd Rundgren and Steely Dan, as well as being a solo artiste, guitarist Rick Derringer has certainly carved a wide swathe of rock for himself. And as if he couldn’t go more leftfield, there was Patti Smith providing the lyrics for Hold (on All American Boy, 1973). Here, he was touring behind the Guitars And Women album.

Thanks to john e lee; and to mr breeze for sharing the tracks at The Traders’ Den.

mr breeze’s notes:

Here’s another master FM tape from the archives of john e lee. It is unknown what type of equipment was used to record the initial live broadcast on WLUP the Loop, Chicago’s rock station. it has a good mix and high energy. You’ll hear whistles, people cheering, REO chants [REO Speedwagon were the opening band], as well Rick cursing. If this was ever rebroadcast, then the censors would have likely removed his very vocal f-bomb. There is some static here and there but it does not detract from the show.

Cover posted at soundaboard.blogspot - Thanks!

Lineage:
master tape (ampex extra low noise/high output 90min) > technics rs-t36r > r9 (line in) > 2gb memory card > pc > audition > cd wav >tlh [flac 8]
Using audition, the two sides of the cassette were spliced together. 45 min from side “a” and approximately 5 min from side “b.” During the first track, a portion of the left channel was amplified by 5db on one portion and by 3db on another portion. The whole file was then amplified by 2db. The tracks have been cut using cd wav. nothing else has been done.

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Track 01. Guitars And Women 4:28 (7.5MB)
Track 02. It Ain’t Funny 4:08 (6.9MB)
Track 03. Teenage Love Affair 4:02 (6.8MB)
Track 04. Something Warm 3:56 (6.6MB)
Track 05. Man In The Middle 4:23 (7.4MB)
Track 06. Let Me In 3:37 (6.1MB)
Track 07. Uncomplicated 3:51 (6.5MB)
Track 08. Back in the USA (Chuck Berry) 6:29 (10.9MB)
Track 09. Rock and Roll Hoochie Koo 11:15 (18.9MB)
Track 10. Hang On Sloopy (The McCoys) 5:04 (8.5MB)
52 mins

Click here to order Rick Derringer releases.

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ERIC CLAPTON
The Anthology For Layla [Mid Valley Records Private Issue, CD 1 and 2 of 6]
Soundboard and audience sources, from Mid Valley releases, overall very good to excellent sound.

All the Laylas you’d ever want.

Thanks to uploaders such as cpierru, pablo and others for sharing this on the net.

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Discs 3-6 will be available for sharing in the coming week.

Disc 1
101. Promo Single Stereo - 45 RPM ATCO 6809 - Omitted*
102. Promo Single Mono - 45 RPM ATCO 6809 - Omitted*
103. Original Mix CD - Polygram 823277-2 - Omitted*
104. 20th Ann. Edition - Digitally Remixed and Remastered - Omitted*
105. Mobile Fidelity Sound Lab - MFSL UDCD 585 - Omitted*
106. Super Disk - Direct Disk Labs SD 2-16629 - Omitted*
107. Super Disk - Direct Disk Labs SD 2-16629 (fixed) - Omitted*
108. Japanese 3″CD-s - P10W-30001 (short version) - Omitted*
Track 109. Different Take - Double Tracked Vocal, slide guitar overdubs 7:26 (12.5MB)
110. Piano Exit - Goddfellas soundtrack - Omitted*

Disc 2
201. 1973 January 13 Finsbury Park, London Rainbow Theatre - Omitted*
202. 1974 July 20 Long Beach, CA Long Beach Arena - Omitted*
203. 1974 December 5 Hammersmith, London Hammersmith Odeon - Omitted*
Track 204. 1975 July 10 Kansas, Missouri Kansas Municipal Auditorium 6:59 (11.7MB)
Track 205. 1975 August 30 Norfolk, Virginia The Scope 8:04 (13.5MB)
Track 206. 1976 July 29 Hemel Hempstead, Hertfordshire Pavilion 5:57 (10.0MB)
Track 207. 1976 November 15 Dallas, Texas Convention Center 12:28 (20.9MB)
208. 1977 April 27 Hammersmith, London Hammersmith Odeon - Omitted*
Track 209. 1978 February 11 Santa Monica California Civic Auditorium 6:51 (11.5MB)
Track 210. 1978 November 24 Glasgow, Scotland Apollo Theatre 6:41 (11.2MB)

* Officially released.

Click here to order the 40th Anniversary Deluxe Edition of Layla And Other Assorted Love Songs (released in 2011).

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HOYT AXTON
San Jose 1982 [no label, 2CD]
Live at The Saddle Rack, San Jose, CA; July 19, 1982. Excellent “The Fat Fry” pre-broadcast.

Singer-songwriter and actor Hoyt Axton is probably one of those who songs are more well-known than him. Joy To The World and Never Been To Spain (Three Dog Night); The Pusher and Snowblind Friend (Steppenwolf); No-No Song (Ringo Starr) and Greenback Dollar (Kingston Trio) are the more notable ones. [Even earlier, Hoyt’s mother, Mae Boren Axton, had co-written Heartbreak Hotel, which Elvis Presley made famous.]

On TV, Hoyt appeared on Bonanza; WKRP In Cincinnati; The Bionic Woman; Dukes Of Hazzard; McCloud and even I Dream of Jeannie. His movies included The Black Stallion; Heart Like A Wheel and Gremlins. Hoyt died of a heart attack in Victor, Montana, on October 26, 1999, at the age of 61, after suffering a severe heart attack two weeks earlier. File this under folk/country, Americana or even Alternate Country.

Thanks to grner1 for sharing the tracks at Dime.

grner1 noted: “You’ve gotta hear this one! Great performance and sound-quality from 15 ips 1/2 track production soundboard reels - lightly circulated and never previously on Dime.”

Transfer:
15 ips 1/2 track production reels > Ampex AG-440 > Apple Macintosh with Digidesign Audiomedia III sound card > Pro Tools (minor “nip and tuck” edits, normalization and tracking - no equalization or noise reduction) > xACT (Flac level 8 files, tagged with sector boundaries verified).

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Disc 1
Track 101. intro 0:54 (1.5MB)
Track 102. Roanoke 2:03 (3.4MB)
Track 103. Will The Circle Be Unbroken? 5:42 (9.6MB)
Track 104. The Bluebird 3:07 (5.2MB)
Track 105. Della And The Dealer 3:50 (6.4MB)
Track 106. Wild Bull Rider 4:02 (6.8MB)
Track 107. Boney Fingers 2:39 (4.5MB)
Track 108. Evangelina 3:44 (6.3MB)
Track 109. No No Song 2:59 (5.0MB)
Track 110. talk 0:59 (1.7MB)
Track 111. Jealous Man 1:59 (3.3MB)
Track 112. Pancho And Lefty 3:40 (6.2MB)
Track 113. Joy To The World 4:28 (7.5MB)
Track 114. talk 1:34 (2.6MB)
Track 115. The Devil 1:58 (3.3MB)
Track 116. An Old Greyhound 3:21 (5.6MB)
Track 117. Flash Of Fire 3:00 (5.0MB)
Track 118. talk [with intro of his 16 year old daughter April] 0:27 (760k)
Track 119. It’s All Gone I Don’t Care [with Hoyt and April Axton on vocals] 2:46 (4.7MB)
Track 120. talk 1:10 (2.0MB)
Track 121. Two More Bottles of Wine [Jana Lee Dare lead vocal] 3:34 (6.0MB)
Track 122. The Bottle Let Me Down [Theresa Tate lead vocal] 3:12 (5.4MB)
Track 123. Wild About My Lovin’ [Mark Dawson lead vocal] 3:01 (5.1MB)
Track 124. Orange Blossom Special [Dennis Fetchid fiddle] 6:03 (10.2MB)
71 mins

Disc 2
Track 201. band intros 1:41 (2.8MB)
Track 202. Rusty Old Halo 3:06 (5.2MB)
Track 203. talk 0:48 (1.3MB)
Track 204. Maybelline 4:14 (7.1MB)
Track 205. talk and tuning 3:24 (5.7MB)
Track 206. Snowblind Friend 2:19 (3.9MB)
Track 207. Geronimo’s Cadillac 3:45 (6.3MB)
Track 208. Little White Moon 3:15 (5.5MB)
Track 209. talk 1:40 (2.8MB)
Track 210. When The Morning Comes 3:26 (5.8MB)
Track 211. Lion In The Winter 4:11 (7.0MB)
Track 212. talk 0:34 (956k)
Track 213. Battle of New Orleans 4:07 (6.9MB)
Track 214. Everybody Goin’ On The Road 3:17 (5.5MB)
Track 215. talk and tuning 2:13 (3.7MB)
Track 216. When It All Comes Down 3:23 (5.7MB)
Track 217. Never Been To Spain 3:23 (5.7MB)
Track 218. talk 0:23 (648k)
Track 219. Lightning Bar Blues 4:20 (7.3MB)
Track 220. final thanks and applause 0:28 (788k)
54 mins

Hoyt Axton with:
Donna Axton - piano
Keith Rojet - bass
Rhys Clark - drums
Hank Barrio - lead guitar
Dennis Fetchet - fiddle
Mark Dawson - harmonica
Jana Lee Dare and Theresa Tate - vocals

Click here to order Hoyt Axton releases.

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RASPBERRIES
Onenight Sensations [Starrcade, 4CD]
Disc 1 - Live at the Public Hall, Cleveland, OH; 1973. Good to fairly good audience recording. Disc 2 - Live at The Agora Theatre, Cleveland, OH; July 15, 1974. Fairly to very good FM broadcast. Disc 3 - Nightside Studio Party; February 1973(?). Fairly to very good Armed Forces Network radio broadcast. Disc 4 - Don Kirschner Rock Concert 1973 and 1974. Fairly to very good TV broadcast.

The “boyband” of the day (circa early ’70s), The Raspberries, from Cleveland, Ohio, were seen by some as “uncool”, especially next to the British Invasion bands such as The Beatles, The Who, The Hollies and the Small Faces, they still managed to hold their own with their brand of power pop. But as Miket posted at boatagainstthecurrent.blogspot: “The boys started with some chords from The Beatles’ “Ticket to Ride” before ripping into their high-energy hymn to teenage lust, “I Wanna Be With You”… This time, in the same performance venue that had launched The Beatles’ invasion of America in earnest in February 1964, Carmen and Co. were, in effect, giving the finger to the critical powers that be by invoking the memory of the British musicians that had transformed their lives.”

Singer-guitarist Eric Carmen went on to a successful solo career, especially with his hit, All By Myself, after the band broke up in 1975.

Today, Max Weinberg, of the E Street Band, has acknowledged Raspberries drummer Michael McBride’s influence on his playing on the Darkness album; and, according to the wiki, Paul Stanley of Kiss, Tom Petty, and Axl Rose of Guns n’ Roses have all also cited the Raspberries as an influence in their songwriting.

Thanks to the person who shared this on the net in 2005.

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Disc 3 and 4 will be available for sharing on August 7, 2014.

Disc 1
Public Hall, Cleveland, OH; 1973
Track 101. Go All The Way 3:42 (6.2MB)
Track 102. Let’s Pretend 3:38 (6.1MB)
Track 103. Driving Around 3:04 (5.1MB)
Track 104. Should I Want 3:45 (6.3MB)
Track 105. Ecstasy 3:59 (6.7MB)
Track 106. Hard To Get Over A Heartbreak 3:51 (6.5MB)
Track 107. Last Dance 4:01 (6.8MB)
Track 108. On The Beach 4:21 (7.3MB)
Track 109. Don’t Want To Say Goodbye/I Saw The Light/I Reach For The Light/I Can Remember 17:00 (28.6MB)
Track 110. Roll Over Beethoven 6:12 (10.4MB)
Track 111. Money Down 4:02 (6.8MB)
Track 112. Making It Easy 3:57 (6.7MB)
Track 113. I Wanna Be With You 3:52 (6.5MB)
Track 114. I’m A Rocker 5:24 (9.1MB)
Track 115. Tonight 3:28 (5.8MB)
75 mins

Eric Carmen - lead vocals, rhythm guitar, piano
Wally Bryson - lead vocals, lead guitar
Dave Smalley - bass
Jim Bonfanti - drums

Disc 2
The Agora Theatre, Cleveland, OH; July 15, 1974
Track 201. I’m A Rocker 6:41 (11.2MB)
Track 202. I Can Hardly Believe You’re Mine 3:48 (6.4MB)
Track 203. Ecstasy 4:06 (6.9MB)
Track 204. Tonight 3:55 (6.6MB)
Track 205. Play On 2:50 (4.8MB)
Track 206. Money Down 4:19 (7.2MB)
Track 207. Rose Colored Masses 3:26 (5.8MB)
Track 208. Party’s Over 4:59 (8.4MB)
Track 209. Go All The Way 3:34 (6.0MB)
Track 210. Cry 3:02 (5.1MB)
Track 211. All Right Now 12:26 (20.9MB)
53 mins

Disc 3
Nightside Studio Party - February 1973?
Track 301. Go All The Way 8:09
Track 302. Come Around And See Me 5:28
Track 303. Going Nowher Tonight 6:15
Track 304. Roll Over Beethoven 3:08
Track 305. Rasberry Jam 3:21
Track 306. Nobody Knows 7:13
Track 307. Rock And Roll Mama 3:05
Track 308. It’s Over 4:22
Track 309. I Wanna Be With You 3:24
Track 310. Baby Please Let Me Come Back Home 2:56
Track 311. Tonight 2:32
Track 312. Come Around And See Me 3:45
Track 313. Overnight Sensation 5:12
Track 314. Go All The Way 4:06
Track 315. Let’s Pretend 7:51
Track 316. Jim Botanti Airforce Ad #1 0:33
Track 317. Jim Botanti Airforce Ad #2 1:01
73 mins

Disc 4
Don Kirschner Rock Concert 1973
Track 401. Go All The Way 3:20
Track 402. Tonight 3:25
Track 403. Down Around 3:11
Track 404. I’m A Rocker 3:28
Track 405. Last Dance 3:42
18 mins

Eric Carmen - lead vocals, rhythm guitar, piano
Wally Bryson - lead vocals, lead guitar
Dave Smalley - bass
Jim Bonfanti - drums

Don Kirschner Rock Concert 1974
Track 406. Overnight Sensation 5:07
Track 407. Don Kirschner Intro-Go All The Way 3:55
Track 408. Let’s Pretend 3:29
Track 409. Starting Over 4:16
Track 410. All Through The Night 5:51
Track 411. Play On 2:55
26 mins

Note: There are a couple of sound problems on the 1974 portion of this, which are in the boot from the video tape source.

Eric Carmen - lead vocals, rhythm guitar, piano
Wally Bryson - lead vocals, lead guitar
Scott McCarl - bass
Michael McBride - drums (ex-Cyrus Erie)

Click here to order Raspberries releases.

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MILES DAVIS SEPTET
Cologne 1971 [no label, 1CD]
Live at the Sartory Festsaal, Cologne, Germany; November 12, 1971. Very good Westdeutscher Radio (WDR) radio broadcast.

After playing a lot of these white rock halls, I was starting to wonder why I shouldn’t be trying to get to young black kids with my music. They were into funk, music they could dance to. It took me a while to really get into the concept all the way… Jack DeJohnette left the group late in 1971, around the same time Keith Jarrett left. I wanted the drummer to play certain funk rhythms… I didn’t want the band playing totally free all the time, because I was moving closer to the funk groove in my head. - Miles: The Autobiography

Thanks to hooligan3244 for sharing the tracks at Dime.

hooligan3244 noted:

In 2006, for the first time uploaded on Dime by jkeisers, in 2010 an incomplete version of this show by blacksatin and; also in 2010, the complete one upped by hreinders. It’s a great show in fantastic 1971 audio quality.

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Track 01. Introduction (from stage)/Directions 11:38 (19.5MB)
Track 02. Honky Tonk 10:21 (17.1MB)
Track 03. What I Say (incomplete) 4:26 (7.4MB)
Track 04. It’s About That Time (incomplete) 3:24 (5.7MB)
Track 05. Yesternow 11:48 (19.8MB)
Track 06. Funky Tonk/Sanctuary 16:29 (27.7MB)
58 mins

Lineup:
Miles Davis (tpt)
Gary Bartz (ss, as)
Keith Jarrett (el-p, org)
Michael Henderson (el-b)
Ndugu Leon Chancler (d)
Charles Don Alias (cga, perc)
James Mtume Forman (cga, perc)

Click here to order Miles Davis releases.

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FRANK SINATRA AND LIZA MINELLI
East Rutherford 1987 [VocalEaze VECD-0102, 1CD]
Live at the Byrne Meadowlands Arena, East Rutherford, NJ; December 5 and 6, 1987. Very good to excellent soundboard.

Before Sinatra sings My Way, he refers to the song’s writer as “that little Arab… what’s his name… Anka”. Apparently, Paul Anka is an Arab of Lebanese descent. Hard to tell whether the intent was derogatory but curious why Sinatra would refer to Anka in public as “that little Arab”.

Sinatra died in May 1998.

In April 2013, Paul Anka wrote his auto-biography, My Way. He wrote extensively about the late Frank Sinatra. Here are some excerpts:

The king of this playground was my idol Frank Sinatra, who’d been a big star since the Forties. He was 25 years older than me, yet he and the rest of the Rat Pack adopted me, calling me Kid and including me in their japes…

Most of the time I knew Frank - our friendship would last decades - he had long-time girlfriends or wives, but he never seemed happy. He said once he didn’t understand women…

Though there was a side to Frank that I adored, he could be a difficult man, blunt to the point of rudeness. He’d fly into a rage if your hair was unruly or your clothes were scruffy… He once had some wannabe mobsters beat up two comedians just because they’d made fun of him…

MAFIA PROBE THAT INSPIRED HIS GREATEST SONG

In 1967, Frank Sinatra confided over dinner that he’d decided to retire. The Rat Pack was starting to splinter, which made him feel vulnerable, and he was being harassed by the FBI because of his Mob connections.

‘Kid, I’m fed up,’ he said. ‘I’m going to do one more album and I’m out of here.’

Then he lightened up and said: ‘Hey, kid, you never wrote me that song you always promised me. Don’t take too long!’ He’d often joshed with me about writing a song for him, but I’d never got round to it.

A few months later, at home in New York, I couldn’t sleep one night. So I sat at my piano and started playing a French song, Comme d’habitude, to which I’d bought the rights.

There was a storm brewing and as I played I suddenly sensed myself becoming Frank, tuning into his sense of foreboding. That’s how I got the first line: ‘And now the end is near, and so I face the final curtain.’

I thought of him leaving the stage, the lights going out, and started typing like a madman, writing it just the way he talked: ‘Ate it up… spit it out.’

I’d never before written something so chauvinistic, narcissistic, in-your-face and grandiose. Everything in that song was Sinatra. When I finished, it was 5 am. I knew Frank was in Las Vegas, but by then he’d be offstage and at the bar. I called: ‘Frank, I’ve got something interesting - I’m gonna bring it out.’

When I played the song for him, he said: ‘That’s kooky, kid. We’re going in.’ Coming from Mr Cool, that meant he was ecstatic. There was never any question of singing it myself; My Way was done Sinatra’s way - and that was unquestionably the right way.

Click here for more.

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Thanks to pablo for sharing the tracks at Lossless Legs.

Lineage:
“This performance was recorded with analog equipment.”

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Track 01. But The World Goes Round 3:54 (6.6MB)
Track 02. Cabaret 4:08 (7.0MB)
Track 03. You Are The Sunshine Of My Life 2:47 (4.7MB)
Track 04. Where Or When 3:18 (5.5MB)
Track 05. The Summer Wind 2:48 (4.7MB)
Track 06. You Make Me Feel So Young 3:21 (5.6MB)
Track 07. You Will Be My Music 4:14 (7.1MB)
Track 08. A Birthday Surprise! 2:24 (4.0MB)
Track 09. Medley: The Gal That Got Away/It Never Entered My Mind 6:05 (10.2MB)
Track 10. One For My Baby 5:34 (9.3MB)
Track 11. All Of Me 1:58 (3.3MB)
Track 12. My Way 3:01 (5.1MB)
Track 13. Mack The Knife 4:04 (6.8MB)

Frank & Liza’s New York Medley:
Track 14. Liza/New York, It’s A Helluva Town/I’ll Take Manhattan/East Side, West Side/The Bowery/42nd Street 3:21 (5.6MB)
Track 15. Broadway Baby 2:06 (3.5MB)
Track 16. Autumn In New York 2:37 (4.4MB)
Track 17. I Happen To Like New York 1:30 (2.5MB)
Track 18. How About You? 1:06 (1.8MB)
Track 19. Theme From New York, New York 4:08 (6.9MB)
63 mins

Click here to order Frank Sinatra releases.

Click here to order Liza Minelli releases.

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CHICAGO
Amsterdam 1973 [no label, 1CD]
Concertgebouw, Amsterdam, The Netherlands; September 7, 1973. Very good to excellent FM broadcast.

Thanks to squareofnone for the fixes and for sharing the show at Dime.

squareofnone noted:

This is an excellent FM recording. There were some artifacts introduced by various transfers over the years that needed to be removed or repaired. Amplifying the left channel to match the right enhanced the stereo separation. It also helped bring Terry’s guitar to the forefront, a huge bonus in my opinion.

Originally posted March 2006 by Abraxas2 and reseeded February 01, 2012 by TheCommish (many thanks!). Additional thanks to tinobek for the Dutch DJ translation which confirmed the date of the performance.

No EQ or Noise Reduction was used. No Music was lost. This is NOT meant to be the definitve edition.

Please share freely and play loud. Enjoy!

Thanks also to reinerarnold for the artwork.

Lineage:
Source: Televisie Radio Omroep Stichting “Poster” FM Broadcast
ANA(x) > CDr > WAV > SHNtool > Cool Edit Pro v2.0 > WAV > CD Wave v1.98 > FLAC [level 8]

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Track 01. Now That You’ve Gone 4:43 (7.9MB)
Track 02. Something In This City Changes People 3:48 (6.4MB)
Track 03. Hollywood 3:42 (6.2MB)
Track 04. Just You ‘n’ Me 4:26 (7.4MB)
Track 05. Dialogue (Part I & II) 6:57 (11.7MB)
Track 06. Feelin’ Stronger Every Day 4:47 (8.0MB)
Track 07. Aire 4:05 (6.9MB)
Track 08. Ballet For A Girl In Buchannon (cut)/Radio Outro 11:38 (19.5MB)
45 mins

Lineup:
Robert Lamm
Peter Cetera
Terry Kath
James Pankow
Walter Parazaider
Lee Loughnane
Danny Seraphine
Laudir de Olivera

Click here to order “Now” - Chicago XXXVI (released in July 2014).

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BOB DYLAN
Los Angeles 1978
The Lost and Found Mike the MICrophone Tapes Vol One [Mike Millard first gen via JEMS, 1CD]
Live at the Universal Amphitheatre, Los Angeles, CA; June 1, 1978. Very good to excellent audience recording.

Thanks to Mike Millard for the recording; JEMS for the efforts; and to mjk5510 for sharing this at Dime.

Original notes:

JEMS is pleased to release the first in a series of recordings made by legendary taper Mike Millard, AKA Mike the MICrophone, best known for his masters of Led Zeppelin in and around LA circa 1975-77.

The 14 first-generation tapes (10 cassettes and four reels) were sent by Millard to SG, the beloved S in JEMS, in the mid-’80s after the pair had met in person in Orange County on two occasions. To the best of our knowledge, none of the eight shows (spanning the 14 tapes) has ever been attributed as a Millard recording. In fact, there are no extant references we are aware of to Millard ever recording Bob Dylan or Bruce Springsteen, the two artists captured on the tapes.

Several of the tapes we believe are uncirculated; others may be out there, but not credited as Millard’s work. Even those that turn out to be previously circulated (and there is at least one confirmed so far) will be released in this series from verified first-generation tapes made by Millard himself and marked/notated in his signature manner. As such, we expect all of them to be upgrades at a minimum and new sources in many cases.

At this point you might be asking yourself, “So if JEMS received these Millard tapes in the mid-’80s, why haven’t they circulated previously?” Fair question. And, in condensed form, here is the answer, which also provides the “Lost” portion of our series title:

Twenty-six years ago, Millard sent SG a box of tapes. I remember having it my hands in 1986 at SG’s house, right after it arrived in the mail. But that was the last time I ever saw the box. It disappeared. Nearly all of SG’s tapes have since been consolidated into the JEMS North archive, but we never found the box of Millard tapes. Over the years, my memory faded of what was in the box. I thought there were Springsteen shows, but that fuzzy notion was all I could recall.

Now to the “Found”: A few months ago, WG, a long-time collector friend of SG, contacted him and said, “I found a box of tapes of yours when I was moving furniture.” Sure enough it was the Millard tapes and more. Turns out WG borrowed the tapes and some other SG masters after a Dylan show in 1986 and the box wound up misplaced and forgotten about by both parties, only to be rediscovered 28 years later.

Once the box was returned, SG sent it to me at JEMS South where we proceeded to make fresh transfers of its contents.

If there’s any mildly disappointing element to this otherwise charming story, it is that none of the lost Millard tapes are of previously uncirculated shows; there are other recordings by other tapers of all of them. But the good news is the quality of most of them is indeed up to Millard’s legendary standards. There are some excellent pulls here and, in at least one case, Millard’s recording is more complete than the circulating source.

Our series opens with Dylan’s summer residency at the Universal Amphitheatre in June 1978. This recording is of the opening night of the run, but the tape is incomplete. Millard’s notes state: “Missed first half of concert. Only recorded from intermission on.”

But what Millard did record is, to my ears, awfully good. I haven’t compared it to the two other known recordings (per Lossless Bob) of this show, but it is hard to imagine they could top this. The notes don’t confirm Millard’s infamous wheelchair taping set up, but they do confirm exactly what microphones were used (AKG 451E with CK-1 capsules) and his familiar Nakamichi 550 recorder. Interestingly, at another show in this run, Millard used a completely different set of gear, but we’ll get to that when the time comes.

Millard’s notes also famously warn the recipient, “This tape has been electronically coded. If this recording is reproduced and falls into the wrong hands I will know where the original source came from. Please do not reproduced (sic) this tape.” Sadly, we can’t request Millard’s permission, given his untimely passing in 1990. But we hope enough time has passed that we can honor his work by sharing it in a manner he could have never dreamed would be possible three decades ago.

Here’s to Mike the MICrophone and to finding lost tapes.

Millard’s Wikipedia page
http://en.wikipedia.org/wiki/Mike_Millard

The best article written about Millard has been deleted from the original website but is reprinted here:
http://www.classicrockforums.com/forum/f6/led-zeppelin-official-thread-6185/index164.html

Thanks to WG for finding the tapes and to SG for providing JEMS with another fascinating chapter of taping history.

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Lineage:
Recording Info: AKG 451E mics (CK-1 capsules) > Nakamichi 550
JEMS 2014 Transfer: first-generation reel copy (3-3/4 IPS) made by Mike Millard for SG > Otari 5050 mkII azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > iZotope RX3 > Peak 6.0 with iZotope Ozone 5 (pitch correction) > iZotope RX MBIT+ resample 16/44.1 > Peak Pro XT (indexed) > xACT 2.2.1 > FLAC

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Incomplete show (only after the Intermission)

Track 01. Rainy Day Women #12 & 35 3:23 (5.7MB)
Track 02. One Of Us Must Know 4:12 (7.1MB)
Track 03. You’re A Big Girl Now 4:52 (8.2MB)
Track 04. One More Cup Of Coffee 3:32 (5.9MB)
Track 05. Blowin’ In The Wind 5:12 (8.7MB)
Track 06. I Want You 2:53 (4.8MB)
Track 07. Senor (Tales Of Yankee Power) 5:36 (9.4MB)
Track 08. Masters Of War 4:06 (6.9MB)
Track 09. Just Like A Woman 5:46 (9.7MB)
Track 10. To Ramona 4:50 (8.1MB)
Track 11. The Man In Me 3:57 (6.6MB)
Track 12. Band Introduction 2:07 (3.5MB)
Track 13. It’s Alright Ma (I’m Only Bleeding) 6:23 (10.7MB)
Track 14. Forever Young 7:39 (12.8MB)
Track 15. The Times They Are A-Changin’ 5:48 (9.7MB)
71 mins

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A month later in July 1978, Dylan did a series of shows in Paris that many fans considered excellent audience recordings. Give them a listen and let us know what you think.

Paris - July 3, 1978 - click here.

Paris - July 4, 1978 - click here.

Paris - July 5, 1978 - click here.

In 1979, Dylan released Bob Dylan At Budokan, which was recorded on February 28 and March 1, 1978. Click here to order the album.

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PAUL McCARTNEY & WINGS
Live In Newcastle 1973 - 41th Anniversary Edition [CMI Music, 1CD]
Live at the City Hall, Newcastle, UK; July 10, 1973. Good to very good soundboard.

Welcome to a labour of love… Thanks to CMI Music/lzepfan for the efforts and for sharing this at Dime.

CMI Music/lzepfan notes:

Unfortunately after 20 years since Unsurpassed Masters Vol 1 bootleg which features excerpts of this concert in FANTASTIC quality was released, this source has never reappeared in a complete form.

Here’s my attempt to create the most complete and listenable recording of this concert. One song from the set list, ‘Say You Don’t Mind’, is absent here, as there’s no known professional recording of this song available in the collector’s community, possibly it wasn’t featured in the mysterious Apple Acetate.

As I know there’s an audience recording of the whole show available but it’s impossible for me to find it.

I’ve chosen to work with the three most common sources. Source 1 and 3 were speed corrected and EQ-processed to improve the sound quality and to match Source 2 as much as possible. All sources were spliced together to receive seamless listening experience.

Lineage:
Source 1 (*): Apple Acetate > ? > Learning To Fly (2000 VOXX 0001-001) Silver CD > CDR(1) > WAV 16/44 > WAV 32/88 > restoration/merge/remastering > WAV 16/44 > FLAC
Source 2 (#): Apple Acetate > ? > Unsurrpassed Masters Vol.1 (1994 Strawberry Records STR 002) Silver CD > FLAC > WAV 16/44 > WAV 32/88 > restoration/merge/remastering > WAV 16/44 > FLAC
Source 3 (+): Apple Acetate > ? > Wings Live In Newcastle (1991 Mistral MM 9117) Silver CD > WAV 16/44 > WAV 32/88 > restoration/merge/remastering > WAV 16/44 > FLAC

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Track 01. Intro (+) 0:54 (1.5MB)
Track 02. Soily (*) 3:50 (6.4MB)
Track 03. Big Barn Bed (*) 4:00 (6.7MB)
Track 04. When The Night (*) 4:13 (7.1MB)
Track 05. Seaside Woman (#) 4:41 (7.9MB)
Track 06. Wild Life (#) 5:59 (10.1MB)
Track 07. Little Woman Love (#) 0:51 (1.4MB)
Track 08. C Moon (#) 2:20 (3.9MB)
Track 09. Little Woman Love (reprise) (#) 1:10 (2.0MB)
Track 10. Maybe I’m Amazed (#) 4:20 (7.3MB)
Track 11. My Love (#) 4:47 (8.0MB)
Track 12. Live And Let Die (#) 4:13 (7.1MB)
Track 13. Go Now (#) 3:57 (6.6MB)
Say You Don’t Mind [not available]
Track 14. The Mess (+) 5:10 (8.7MB)
Track 15. Hi Hi Hi (+) 5:25 (9.1MB)
Track 16. Long Tall Sally (+) 4:30 (7.6MB)
61 mins

Source 1 (*)
Source 2 (#)
Source 3 (+)

Lineup:
Paul McCartney - vocals, bass, piano
Linda McCartney - vocals, piano
Denny Laine - rhythm guitar, bass guitar, vocals, piano
Henry McCullough - lead guitar, vocals
Denny Seiwell - drums, percussion

Click here to order Wings At The Speed Of Sound (Deluxe Book, 2014).

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ERIC CLAPTON
The Anthology For Layla [Mid Valley Records Private Issue, CD 3 to 6 of 6]
Soundboard and audience sources, from Mid Valley releases, overall very good to excellent sound.

All the Laylas you’d ever want.

Thanks to uploaders such as cpierru, pablo and others for sharing this on the net.

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Disc 1 and Disc 2 - click here.

Disc 3
Track 301. 1983 July 10 Milwaukee Wisconsin Milwaukee Summerfest 7:57 (13.4MB)
302. 1983 September 20 South Kensington, London Royal Albert Hall - Omitted*
303. 1985 April 22 Richmond, Virginia Coliseum - Omitted*
Track 304. 1985 July 5 Chicago, Illinois Poplar Creek Music Theatre 7:07 (11.9MB)
305. 1986 July 15 Birmingham, National Exhibition Centre - Omitted*
Track 306. 1986 November 20 Boston, Massachusetts The Metro 8:07 (13.6MB)
Track 307. 1987 January 12 South Kensington, London Royal Albert Hall 8:34 (14.4MB)
Track 308. 1987 April 14 Los Angeles, California The Forum 8:14 (13.8MB)
Track 309. 1988 November 2 Dunkyoru, Tokyo Tokyo Dome 10:15 (17.2MB)
51 mins

Disc 4
Track 401. 1989 February 3 South Kensington, London Royal Albert Hall 12:30 (21.0MB)
Track 402. 1989 July 6 The Hague, Netherlands Statenhall 11:14 (18.9MB)
Track 403. 1990 February 10 South Kensington, London Royal Albert Hall 2:04 (3.5MB)
Track 404. 1990 February 10 South Kensington, London Royal Albert Hall 12:19 (20.7MB)
Track 405. 1990 October 5 Buenos Aires, Argentina Estadio River Plate 11:47 (19.8MB)
Track 406. 1991 February 17 South Kensington, London Royal Albert Hall 11:37 (19.5MB)
407. 1992 January 16 Windsor, Bershire Bray Studios - Omitted*
Track 408. 1993 October 27 Chiyodaku, Tokyo Nippon Budokan 8:04 (13.5MB)
70 mins

Disc 5
Track 501. 1996 May 9 New York, New York Roseland Ballroom 3:32 (5.9MB)
502. 1996 June 29 Hyde Park, London Prince’s Trust - Omitted*
Track 503. 1997 July 11 The Hague, Netherlands Statenhall 4:36 (7.7MB)
Track 504. 1997 October 27 Chiyodaku, Tokyo Nippon Budokan 5:37 (9.4MB)
Track 505. 1998 September 11 Edmonton, Alberta Edmonton Coliseum 5:02 (8.5MB)
Track 506. 1998 October 15 Earls Court, London Earls Court Arena 4:46 (8.0MB)
507. 1999 June 30 New York, NY Madison Square Garden - Omitted*
Track 508. 1999 November 4 Los Angeles, California LA Rehearsals 4:47 (8.0MB)
Track 509. 1999 November 24 Chiyodaku, Tokyo Nippon Budokan 8:34 (14.4MB)
Track 510. 2001 December 3 Chiyodaku, Tokyo Nippon Budokan 4:42 (7.9MB)
Track 511. 2001 December 4 Chiyodaku, Tokyo Nippon Budokan 4:46 (8.0MB)
Track 512. 2001 December 4 Chiyodaku, Tokyo Nippon Budokan 9:23 (15.8MB)
56 mins

Disc 6
Track 601. 2004 April 24 Belfast, Ireland Oddysey Arena 6:02 (10.1MB)
602. 2004 June 6 Dallas, Texas Cotton Bowl Stadium - Omitted*
Track 603. 2006 November 26 Sapporo, Hokkaido Sapporo Dome 7:07 (11.9MB)
Track 604. 2006 December 2 Saitama, Saitama Saitama Super Arena 7:10 (12.0MB)
Track 605. 2008 June 28 Hyde Park, London Hard Rock Calling 7:11 (12.1MB)
Track 606. 2009 February 25 Chiyodaku, Tokyo Nippon Budokan 7:48 (13.1MB)
Track 607. 2009 March 19 New York, New York Beacon Theatre 7:08 (12.0MB)
Track 608. 2009 March 20 New York, New York Beacon Theatre 7:57 (13.4MB)
609. 2011 April 8 New York, New York Rose Theatre - Omitted*
51 mins

* Officially released.

Click here to order the 40th Anniversary Deluxe Edition of Layla And Other Assorted Love Songs (released in 2011).

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PINK FLOYD
Echoes From The Past (Platinum Edition) [Digital Reproductions DR 42675-4, 2CD]
Live at the Sports Arena, Los Angeles, CA; April 26, 1975. Very good to excellent audience recording.

Thanks to Mike Millard for the recording; and to the person who shared this at Dime.

Notes:

This torrent captures the entire master tape source (including mic checks by taper Mike Millard).

There are many Pink Floyd Roios out there. Most of them are audience recordings and pretty difficult to listen to. This one, however, has to be the best audience recording of an old Floyd show ever. This rivals the Boston Garden show for quality, IMHO. If your a Floyd fan, don’t miss this one!

The Digital Dan Review:

An incredible audience show from the Sports Arena in Los Angeles, California on April 26, 1975. This is the complete master tape source, so complete that you here the taper testing the mics as the show starts. The sound is nothing short of astounding. Incredibly clear and quite devoid of almost any fan noise. The bass is well captured, deep and powerful with no distortion whatsoever. The highs are also very crisp and not the least bit of harshness. In other words, the mix is just about perfect as if it were a soundboard. I think I have a good idea who taped this show and it explains a lot. There are a few things that make this recording truly unique. First, the pre-release versions of Sheep (Raving And Drooling) and Dogs (You Gotta Be Crazy). Raving And Drooling is much different instrumentally during the jam sections than is the album version, including some rhythm guitar that sounds like disco-funk! The lyrics to You Gotta Be Crazy are quite different from the album version of Dogs. Even Roger calls it a rather “mean” song. “Any Colour You Like” is the great jam version and this is the last tour with performances of “Echoes” in its entirety. All and all this recording is absolutely amazing for its age and one that you will definitely want in your collection.

We have previously shared the April 21, 1975 show (click here) and the June 17, 1975 show (click here).

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Disc 1
Track 101. Intro 3:12 (5.4MB)
Track 102. Raving And Drooling 13:17 (22.3MB)
Track 103. You’ve Gotta Be Crazy 14:21 (24.1MB)
Track 104. Shine On You Crazy Diamond (1-5) 12:11 (20.5MB)
Track 105. Have A Cigar 4:23 (7.4MB)
Track 106. Shine On You Crazy Diamond (6-9) 12:17 (20.6MB)
Track 107. “Sit down and enjoy the show” 0:33 (930k)
61 mins

Disc 2
Track 201. Speak To Me 5:51 (9.8MB)
Track 202. Breathe 2:49 (4.7MB)
Track 203. On The Run 4:32 (7.6MB)
Track 204. Time 5:55 (9.9MB)
Track 205. The Great Gig In The Sky 5:50 (9.8MB)
Track 206. Money 7:45 (13.0MB)
Track 207. Us And Them 7:30 (12.6MB)
Track 208. Any Colour You Like 8:16 (13.9MB)
Track 209. Brain Damage 3:32 (5.9MB)
Track 210. Eclipse 2:33 (4.3MB)
Track 211. Echoes - Part A 10:29 (17.6MB)
Track 212. Echoes - Part B 11:06 (18.7MB)
77 mins

The track, Echoes, has been arbitrarily split for easier access.

Lineup:
David Gilmour - guitars, vocals
Nick Mason - percussion, vocals
Roger Waters - bass, vocals
Richard Wright - keyboards, vocals
Dick Parry - sax

Click here to order Pink Floyd’s Discovery boxset.

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FOAMFOOT
Crows From The Closet [Totonka, 1CD]
Live at The Troubador, West Hollywood, CA; January 8, 1994. Excellent soundboard.

This was an impromptu show featuring Chris Robinson (The Black Crowes); Marc Ford (The Black Crowes); Jimmy Ashhurst (The JuJu Hounds); Eric Bobo (Cypress Hill) and Andy Sturmer (Jellyfish).

Thanks to BZBeatle for sharing this on the net.

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Bill Glahn, Live! Music Review:

OK, here’s a question for any legal eagle in our family of readers. A well-known band (in this case - The Black Crowes) performs under a false moniker at a small club. An astute bootlegger manages to get hold of an excellent soundboard recording of the show and puts it out under the fictitious name, never using the name “Black Crowes” anywhere in the artwork. The closest Totonka comes to using the band’s official name is the term “Crowes” (without “Black”) used in the liner notes. To my knowledge, “Foamfoot” is not a registered trademark and probably doesn’t appear anywhere in the band’s contract with their label.

So in essence, the bootlegger is not trading at all on the band’s likeness or image. Some great artwork in the William Stout tradition is used for the cover with no photos of the band in sight. Since trading on the “image and likeness” of an artist is at the foundation of US copyright law, is this a bootleg? To make matters more complicated, not one Black Crowes-penned tune is contained on this disc! So The Black Crowes are not even entitled to mechanical (songwriting) royalties (although quite a few others are).

This probably doesn’t matter anyhow, since Chris Robinson has expressed his love of bootlegs in no less than Rolling Stone magazine (even causing some nervousness in one store owner by naming his favorite shop to buy bootlegs!) But what if this were a Springsteen bootleg full of cover tunes (many to choose from) recorded previous to the times when the ticket sale became a contract with the “no taping” warnings? Could a company issue such a recording as “the Boss” with artwork of the kind that appeared on Whoopy Cat’s “Lost Radio Show” disc? This is one we’d love to see tested.

Back to Crows From The Closet - Chris Robinson announces that his basement is too small to rehearse in so the band wanted to practice in front of an audience. But the band doesn’t practice any of their own material, instead opting to place their own stamp on a variety of “classic rock” staples and a few long lost gems. And it all gets captured on a superbly mixed soundboard recording. You won’t find anything like this on any other Black Crowes bootleg. There’s even a few guest appearances.

The disc starts off with a version of Walk In My Shadow from Free’s “Tons of Sobs” (first) album, probably well known to our European readers but certainly out of the realm of over-played “classic-rock” tunes that fill the American airwaves. Afer Bottle Of Red Wine, fans finally get to hear Chris Robinson tackle a Steve Marriott tune with the Small Faces’ Tin Soldier. But Robinson picks a lower key than Marriott used so the similarities aren’t as startling as one might think (or hope for).

Actually, it’s on the songs that are the most stylistically removed from the Crowes’ brand of Southern rock ‘n’ soul that shine the most. While Marshall Tucker were considered a “Southern Rock” band, they were, in reality, much closer to today’s country/pop style. In the Crowes’ hands, Take The Highway comes across with a lot more bite, a great deal more groove. The extended dual lead guitar takes the song closer to Allmans-style jamming than Marshall Tucker ever got. The band is aided on this song by Gary Louris of the Jayhawks (mis-labeled on the back cover as Gary Lewis - yuchhhh.) Speaking of the Allmans, the band also romps through that band’s One Way Out.

The biggest surprise, however, is a take on the Band’s Jeremiah Surrender. The opening riff is so strong and forceful that I didn’t recognize the song until Robinson started singing. No attempt is made here to follow the original’s style. Where the song never seemed to fit in with the Band’s repertoire, the intoxicating guitar riff sounds tailor-made for the Crowes. It’s certainly an obscure choice for a band like the Crowes, but a very intelligent one. It’s obvious that these guys didn’t just borrow a sound - they developed it from a collector’s knowledge of the obscure and overlooked.

A second guest appearance takes place when David Crosby joins the band for a version of his own Long Time Gone. Other highlights include versions of the Grateful Dead’s Deal and Clapton’s Presence Of The Lord.

No date is given and the location is given simply as the Troubadour. This is not the secret show from last winter when the band performed as Blessed Chloroform at The Whiskey. The cover is a brilliant take-off on the Grateful Dead’s Skeletons From The Closet. Crows From The Closet is an all-around masterpiece in the best tradition of bootlegs.

Note: Bill Glahn was the editor of Live! Music Review. The above was published in August 1995. Since then, the date for the show has been identified.

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Lineage:
SBD > DAT (16/44) > R44 (wav) > TLH (flac)

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Track 01. Walk In My Shadow 6:01 (10.1MB)
Track 02. Bottle Of Red Wine 4:25 (7.4MB)
Track 03. Tin Soldier 5:18 (8.9MB)
Track 04. band introductions 2:33 (4.3MB)
Track 05. Take The Highway (with Gary Louris) 7:05 (11.9MB)
Track 06. Deal 6:22 (10.7MB)
Track 07. Love Me Till The Sun Shines 6:57 (11.7MB)
Track 08. Long Time Gone (with David Crosby) 13:44 (23.1MB)
Track 09. Jeremiah Surrender 4:11 (7.0MB)
Track 10. One Way Out 9:42 (16.3MB)
Track 11. Presence Of The Lord 10:28 (17.6MB)
77 mins

Click here to order Black Crowes releases.

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THE ROLLING STONES
Love You Live Los Angeles [Dogs & Cats 049, 2CD]
Live at the Inglewood Forum, Los Angeles, CA; July 9, 1975. Very good to excellent audience recording by Mike Millard.

Click here for the July 11, 1975 show (Mike Millard).

Before The Rolling Stones in 2012 deigned it fit to release only the July 13, 1975 show (LA Friday) as part of their bootleg series, Mike Millard’s tapes were generally regarded as the best for the 1975 Stones’ shows. Millard recorded from the audience all five concerts at the LA Forum on his trusty Nakamichi deck. It is likely that these 1975 shows were all recorded by the Stones.

Thanks to Erik Snow for sharing this at Hungercity in 2008; and to mr breeze for keeping it alive at The Traders’ Den.

Original notes:

One of the best recordings and performances from Tour Of The Americas 1975. Absolutely excellent show. Mike Millard is the taper of this one.

Compared to “LA Fog” (VGP), this DAC has a little more hiss - but also a but more punch and power (IMO). THere’s no BIG difference though… but I prefer the DAC release.

Note that “Sympathy For The Devil” was used for “Love You Live”, after editing and overdubbing.

Lineage:
Original DAC CD > WAV (EAC) > FLAC (flacfrontend)

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Disc 1
Track 101. Fanfare For The Common Man 1:58 (3.3MB)
Track 102. Honky Tonk Women 5:20 (8.9MB)
Track 103. All Down The Line 4:06 (6.9MB)
Track 104. If You Can’t Rock Me/Get Off Of My Cloud 7:38 (12.8MB)
Track 105. Star Star 4:48 (8.1MB)
Track 106. Gimme Shelter 6:17 (10.6MB)
Track 107. Ain’t Too Proud To Beg 4:37 (7.7MB)
Track 108. You Gotta Move 4:15 (7.1MB)
Track 109. You Can’t Always Get What You Want 13:09 (22.1MB)
Track 110. Happy 3:29 (5.8MB)
Track 111. Tumbling Dice 5:11 (8.7MB)
Track 112. It’s Only Rock’n Roll 5:46 (9.7MB)
Track 113. Band Introductions 1:25 (2.4MB)
Track 114. Doo Doo Doo Doo Doo (Heartbreaker) 5:41 (9.5MB)
74 mins

Disc 2
Track 201. Fingerprint File 10:45 (18.1MB)
Track 202. Angie 5:21 (9.0MB)
Track 203. Wild Horses 7:20 (12.3MB)
Track 204. That’s Life - Billy Preston 3:20 (5.6MB)
Track 205. Outta Space - Billy Preston 4:36 (7.7MB)
Track 206. Brown Sugar 3:44 (6.3MB)
Track 207. Midnight Rambler 15:53 (26.7MB)
Track 208. Rip This Joint 2:07 (3.5MB)
Track 209. Street Fighting Man 3:42 (6.2MB)
Track 210. Jumpin’ Jack Flash 6:12 (10.4MB)
211. Sympathy For The Devil - removed
63 mins

Lineup:
Mick Jagger - lead vocals, guitar, harmonica
Keith Richards - guitars, vocals
Ronnie Wood - guitars, backing vocals, bass guitar
Bill Wyman - bass guitar, synthesizer
Charlie Watts - drums

To date, the Stones have only officially released one show from their Tour Of The Americas 1975. That is the July 13 show also at the LA Forum. It is sold only as a digital download. Buy LA Friday here.

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ROXY MUSIC
Rehearsals 1982 [no label, 2CD]
The High Road world tour rehearsals, summer 1982. Excellent soundboard.

It’s interesting that The Spin Alternative Record Guide saw Roxy Music’s Avalon (1982) as “one of the all-time great makeout infernos, a synthesized version of Al Green’s Call Me, Van Morrison’s Moondance, and João Gilberto’s Amoroso.” For some, Avalon also saw the rise of Bryan Ferry (now, doesn’t he sound like David Bryne?) as a crooner, as opposed to an art-rock Roxy Music. Still, Andy Mackay’s saxophone remains haunting; and the album remains a favourite for many.

Thanks to original seeder sww1975 (Dime); and to overend for keeping the show alive at mindwarppavilion.

Original notes:

This is a real beauty! Check out this awesome stereo soundboard recording, which includes all the studio chat in between songs (you need to listen closely to hear it though!) and occasional false starts on songs too! It was only ‘Eight Miles High’ that never made it to the final setlist on this tour. ‘More Than This’ and ‘The Space Between’ was played only a handful of dates too. Track one has been left out, due to the fact that the ‘intro’ track was an official release, which had just basic instrument tuning and sound-checking over it.

Thanks also to stepeanut for the artwork.

Lineage:
CDR trade > Fairstars CD RIpper > flac (6)

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Disc 1
101. India (intro) - Omitted (same as official release)
Track 102. The Main Thing 4:37 (7.8MB)
Track 103. Out Of The Blue 4:15 (7.1MB)
Track 104. More Than This 4:04 (6.8MB)
Track 105. A Song For Europe 6:11 (10.4MB)
Track 106. Take A Chance With Me 4:57 (8.3MB)
Track 107. Avalon 4:53 (8.2MB)
Track 108. Can’t Let Go 5:50 (9.8MB)
Track 109. The Space Between 7:02 (11.8MB)
42 mins

Disc 2
Track 201. Impossible Guitar 4:29 (7.5MB)
Track 202. Tara 2:12 (3.7MB)
Track 203. My Only Love 6:51 (11.5MB)
Track 204. Love Is The Drug (with false starts) 5:48 (9.7MB)
Track 205. Dance Away 8:44 (14.7MB)
Track 206. Both Ends Burning 6:25 (10.8MB)
Track 207. Eight Miles High 5:38 (9.5MB)
Track 208. Do The Strand 4:30 (7.6MB)
Track 209. Jealous Guy (fade out, ran out of tape?) 1:12 (2.0MB)
46 mins

Lineup:
Bryan Ferry - vocals
Phil Manzanera - guitar
Andy MacKay - sax, oboe
Neil Hubbard - guitar
Andy Newmark - drums
Alan Spenner - bass
Jimmy Maelen - percussion
Guy Fletcher - keyboards
Fonzi Thornton - backing vocals
Michelle Cobbs - backing vocals
Tawatha Agee - backing vocals

Click here to order Roxy Music’s Avalon.

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YES
Los Angeles 1977 [Mike Millard Master Tape/RMCH Remaster, 2CD]
Live at the Los Angeles Forum, Los Angeles, CA; September 23, 1977. Very good audience recording.

One more from the Mike Millard collection…

Thanks to floydart for the remastering efforts and for sharing the show at Dime.

Thanks also to SpammythePig for sharing the front cover.

Notes:

Other versions of this show have been posted… before. This is not a re-seed or re-hash of those, but an entirely new upgrade from the master tapes… On several occasions before he passed away, Millard let a close friend come to his residence and transfer a number of his masters to DAT while they were hanging out. This show is one of those master > DAT transfers.

This is Mike’s mint, raw master. Please note that it has not been equalized or remastered. Since I do not have any boots of this show, I cannot comment on how it compares to them. To me the sound quality is excellent, but as always, song samples are provided so that you can decide for yourself. As many of you already know, Millard’s recordings are known for their quality. Hope you enjoy this gem.

This is an RMCH Remaster that is not part of the PRRP series or the RMCH Series.

Lineage:
Master tape> dat > dat > cd-r > Bias Peak Pro 5.2.1 > XACT > flac

Remaster
- Boost deficient frequencies/EQ.
- Correct speed.
- Verify pitch correct.
- Correct phasing.
- Adjust stereo field and center sound.
- Correct inappropriate volume boosts *
- Correct auto-record level effects **
- Reduce audience contribution ***
- Repair many audible gaps and single channel dropouts
- Adjust dynamics
- Light noise reduction
- Re-track given 14 songs in 10 source files. ****

This remaster should be considered an upgrade to the PRRPSAE 05 version. More advanced software and techniques were used during this project. A great deal of time was devoted to repairing or removing as many clicks, pops and other tape errors as possible, using non-destructive techniques. The audience noise and loud claps were more extensively addressed in this version.
* 18 segments were found to have an abrupt, audible amplitude boost of 3-6dB. The volume of the sound and the hiss both clearly increased in these segments. These were corrected, eliminating this distraction.
** The recording system made frequent adjustments to record volume such as attenuation after a loud clap. These were corrected as much as possible.
*** The crowd was very enthusiastic that night. Frequently yells, loud claps and whistles were present during the songs. Where present, they were repaired or attenuated as much as possible. Most applause found between songs was left unaltered.
**** Remove redundant sections and track as continuous show.

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Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Disc 1
Track 101. Firebird Suite 2:40 (4.5MB)
Track 102. Parallels 6:18 (10.6MB)
Track 103. I’ve Seen All Good People 7:29 (12.6MB)
Track 104. Close To The Edge 19:31 (32.8MB)
Track 105. Wonderous Stories 4:26 (7.5MB)
Track 106. Colors Of The Rainbow 1:11 (2.0MB)
Track 107. Turn Of The Century 8:09 (13.7MB)
Track 108. Tour Song 1:21 (2.3MB)
52 mins

Disc 2
Track 201. And You And I 10:33 (17.7MB)
Track 202. Going For The One 6:01 (10.1MB)
Track 203. Flight Jam 3:52 (6.5MB)
Track 204. Awaken 17:33 (29.5MB)
Track 205. Starship Trooper 14:01 (23.6MB)
Track 206. Roundabout 9:40 (16.2MB)
62 mins

Lineup:
Jon Anderson - vocals
Steve Howe - guitar
Chris Squire - bass, vocals
Rick Wakeman - keyboards
Alan White - drums

Click here to order Yes releases.

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BOB DYLAN
Live In Japan Vol 3 [Tarantura TCDBD-3-1/2, 2CD]
Live at the Budokan Dai-Hall, Tokyo, Japan; February 23, 1978. Very good audience recording by Terry Peach.

In the ’70s, while Mike Millard was wow-ing fans with his “field” recordings, Mr (Terry) Peach was doing the same in Japan. In fact, Mr Peach has also been referred to as the “Mike Millard of Japan”. Here is a 1978 Mr Peach show for your enjoyment and comparison, with the June 1978 Los Angeles show (click here).

Thanks to cevau for sharing the tracks on the net.

gsparaco reviewed in 2012 at collectorsmusicreviews.com:

Bob Dylan always sought to reinterpret and rearrange his songs. But the 1978 Street Legal era remains one of the most interesting and radical. Although Dylan began the year with his first trip to Japan for 11 shows, the most recent releases from this year document the European and American shows from later in the year. Even the releases in the past decade documenting the Japan tour focus upon the Osaka and Tokyo shows from later in the tour. Dylan played the first three shows at Budokan in Tokyo. Audience tapes have been in circulation, but none have found their way onto any release. Tarantura have rectified the situation by releasing uncirculated Mr Peach tapes for these shows.

February 23 captures the third night in Budokan in excellent stereo with a minor tape flip in the middle. It is a good but nervous performance. Dylan himself sounds self-conscious and make several quips through the performance. Before “Love Minus Zero/No Limit,” commenting on a mistake in the lights, jokes “we left the light show home tonight” and after a sloppy “Like A Rolling Stone” he jokes “Thank you! We almost played that one right.”

The show comes to grand finale with nice versions of “The Man In Me,” “Tomorrow Is A Long Time” and especially “Knockin’ On Heaven’s Door,” using the flute set to a reggae beat. The set ends with “Forever Young” and “The Times They Are A-Changin’.” It is a very good, but not classic, performance. They are still trying to learn the new arrangements and have not yet introduced any new songs to the set.

Click here for the full write-up.

Lineage:
Silver discs (provided by an industry source) > Flac

Click on the highlighted tracks to download the MP3s (224 kbps). As far as we can ascertain, these tracks have never been officially released on CD.

Disc 1
Track 101. Monitor check, opening 0:57 (4.6MB)
Track 102. A Hard Rain’s A-gonna Fall (instrumental) 3:52 (6.5MB)
Track 103. Lonesome In My Bedroom 2:49 (4.7MB)
Track 104. Mr Tambourine Man 5:17 (8.9MB)
Track 105. I Threw It All Away 4:31 (7.6MB)
Track 106. Love Minus Zero/No Limit 3:27 (5.8MB)
Track 107. If You See Her Say Hello 4:08 (6.9MB)
Track 108. Ballad Of A Thin Man 4:49 (8.1MB)
Track 109. I Don’t Believe You 4:30 (7.6MB)
Track 110. Maggie’s Farm 5:05 (8.6MB)
Track 111. Girl Of The North Country 4:56 (8.3MB)
Track 112. Don’t Think Twice It’s Alright 5:21 (9.0MB)
Track 113. To Ramona 4:22 (7.3MB)
Track 114. Like A Rolling Stone 5:55 (10.0MB)
Track 115. I Shall Be Released 4:23 (7.4MB)
Track 116. Going Going Gone 4:24 (7.4MB)
Track 117. Announcement for 20-min interval 1:07 (1.9MB)
70 mins

Disc 2
Track 201. One Of Us Must Know (Sooner Or Later) 5:02 (8.5MB)
Track 202. Blowin’ In The Wind 4:31 (7.3MB)
Track 203. Just Like A Woman 5:04 (8.5MB)
Track 204. Oh Sister 4:52 (8.2MB)
Track 205. You’re A Big Girl Now 5:21 (9.0MB)
Track 206. All Along The Watchtower 4:18 (7.2MB)
Track 207. Simple Twist Of Fate 4:59 (8.4MB)
Track 208. All I Really Want To Do 4:01 (6.7MB)
Track 209. I Want You 2:48 (4.7MB)
Track 210. The Man In Me 4:31 (7.6MB)
Track 211. Tomorrow Is A Long Time 4:32 (7.6MB)
Track 212. Knockin’ On Heaven’s Door 4:52 (8.2MB)
Track 213. Band Introductions 2:01 (3.4MB)
Track 214. It’s Alright Ma (I’m Only Bleeding) 6:39 (11.2MB)
Track 215. Forever Young 6:43 (11.3MB)
Track 216. The Times They Are A-Changin’ 5:34 (9.4MB)
Track 217. Announcement 0:52 (1.5MB)
77 mins

Lineup:
Bob Dylan - rhythm guitar, harmonica, vocals
Billy Cross - lead guitar
Steve Douglas - saxophone, Flute, Recorder
Bobbye Hall - percussion
David Mansfield - pedal steel, violin, mandolin, dobro, guitar
Alan Pasqua - keyboards
Ed Rash - tambourine
Steven Soles - acoustic rhythm guitar, backing vocals
Rob Stoner - bass guitar, backing vocals
Ian Wallace - drums
Debi Dye - backing vocals
Jo Ann Harris - backing vocals
Helena Springs - backing vocals

In 1979, Dylan released Bob Dylan At Budokan, which was recorded on February 28 and March 1, 1978. Click here to order the album.

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Click here for more shows that are still open for sharing.

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PROCOL HARUM - SAN FRANCISCO 1977

ART BLAKEY WITH TONY WILLIAMS - MUNICH 1972

MARIA MULDAUR - NEW HAVEN 1972

THE NICE - BELGIUM 1969

RICK DERRINGER - CHICAGO 1979

ERIC CLAPTON - LAYLA ANTHOLOGY (CD 1 and 2)

HOYT AXTON - SAN JOSE 1982

RASPBERRIES - ONENIGHT SENSATIONS

MILES DAVIS - COLOGNE 1971

FRANK SINATRA AND LIZA MINELLI - EAST RUTHERFORD 1987

CHICAGO - AMSTERDAM 1973

BOB DYLAN - LOS ANGELES 1978 (Mike Millard Master)

PAUL McCARTNEY - NEWCASTLE 1973

ERIC CLAPTON - LAYLA ANTHOLOGY (CD 3 to 6)

PINK FLOYD - LOS ANGELES 1975 (Mike Millard)

FOAMFOOT (Black Crowes) - WEST HOLLYWOOD 1994

THE ROLLING STONES - LA FORUM 1975 (July 09)

ROXY MUSIC - REHEARSALS 1982

YES - LA FORUM 1977 (Mike Millard)

BOB DYLAN - TOKYO 1978 (Mr Peach)